a lesbian bar in beijing

There are a few terms in Chinese to describe lesbians: 女同性恋 (nu tongxinglian), which is clinical and outmoded, in the same way that "female homosexual" might be in English; 女同志 (nu tongzhi) which literally means "female comrade," "comrade" having been appropriated in the last twenty or so years by the Chinese gay community to have roughly the same connotation as the English word "gay"; 蕾丝边 (leisibian), which is an English sound-cognate that literally means "flowery-edged," like lace; and 拉拉 (lala), which is the most modern of these terms.

The literal meaning of lala ("pull pull") is less apropos than the phonetic effect. The words start with an L sound and thus allude to the word "lesbian," and the repetitive phoneme is cute in the way that Chinese girls like to be. (For example, last week my roommate texted to say that the snowstorm that blanketed Beijing last week was too severe for her to "开车车回家家," sort of like "drive the car-car back homey-womey," except much cuter than and not disgusting like baby talk in English.) Lala is mostly a noun, and sometimes an adjective.

I Googled "lesbianism in China" and came across this article (http://findarticles.com/p/articles/mi_7085/is_49/ai_n31585221/), which is pretty good if you can plow through all the polysyllabic pork floss that academics apparently must heap on their ideas in order to tickle the tenure-granting organs of the academy (e.g., while searching for the author's other articles, I came across a description of a symposium entitled "Pedagogies in Praxis," which, if you think about it, could also be called "Teaching"). But the article takes as its premise the "basic fact that there are no neologisms for the term 'lesbian' in Chinese lexicon"; the author only discusses the first two of the terms for female homosexuality I described above; then he argues that the definitional indeterminacy of these terms suggests that a clam-loving clam in China is the queerest kind of queer you can be.

But term "lala" seems to be the kind of homegrown neologism that the author of this article claims not to exist. Maybe this is just an oversight? I can't claim to know much about Chinese culture but this: the girls I met at the lesbian bar I went to in a trendy part of east Beijing on Friday night called themselves lala. They asked me if I was lala ("你是拉拉吗?"), to which I replied, "我当然是拉拉啊!" ("Of course I'm lala!"). On my second day of class, my 26 year-old Hui Muslim morning teacher found reason to explain to me the difference between "tongzhi" and "lala," with a plain facial expression that betrayed no judgment, only the smug beam of pedagogy in successful praxis. Sitting across from me for six of the thirteen hours I waited last last weekend at Hongqiao Airport was a seemingly-heterosexual woman (she was leaning her head on someone I presumed to be her husband, and minding a naughty boy I presumed to be her son) reading a book whose English subtitle was "A Report on China's Lala Population." I came out to Wu Fei last week using lines I had rehearsed beforehand many, many times ("采篱是我的女朋友,我是拉拉"/"Hedge Plucking is my girlfriend; I'm lala") and dear, sweet, sheltered Wu Fei, who knew no homos before me and may never know another, who didn't know the vocabulary word to describe heterosexuality, who reluctantly calls the ladyboys she met in her year in Thailand "人妖" (literally, "human goblins") because she does not know the politically-correct phrase for transgender people, even open-minded but still traditional Wu Fei knew what "lala" meant.

The neologisms don't end with lala. Butch and femme identities exist here as they do in western LGBT communities, though in China it is T and P. Butch is T, for the English word "tomboy." Femme is P. P is for 婆 (po), which kind of means "wifey." Calling someone your 老婆 (laopo) is about the same as calling somebody your "old lady." If you're neither T nor P, you can say you're 不分 (bufen), which means you have no preference. 铁T (tie T) means literally "iron T," or stone butch.

(Also, apparently the phrase 断背 (duanbei) has also come into vogue recently as a way of referencing gay people. It literally means "broke back"; guess which Ang Lee movie this term comes from. Thanks to C for the tip.)

All of this I learned from my friend Ana, a first generation Chinese-American whom I first met in August, at a conference where she delivered this presentation of vocabulary words to a room full of enthralled Asian-American queer folks. Imagine how delightful it would be if archeologists discovered Sumerian tablets bearing the cuneiform equivalent of "ROFLMAO" or a set of texts from the Library of Alexandria describing a mopey teen named Bella who falls in love with a handsome, century-old blood sucker named Edward; Ana's presentation in Seattle was greeted with the same pleasures of recognition and cultural validation by her American audience. Not only were we Asian-American curtain parters among our own for the first time at this conference, we were also learning about the tofu-eating habits, so similar to our own, of the allogrooming pandas of the Orient, from whom we were ourselves so recently descended, but whose popular culture was derived from our own. Majesties of coincidence!

Ana and I became friends at the conference. We were pleased to discover that we had lived in the same hippie co-op in college, but six years apart, though the whiteness of the food and the society in the co-op drove her to leave it, whereas I, being a bananarchist, just never noticed. She referred to me once as her "ancestor." My vanity believes this word was an ESL idiosyncrasy rather than a report on the slack skin on my wrinkled face. She lived in Fujian until she was ten, then moved to the social and linguistic Siberia of Houston, and adapted quickly enough to get herself into a good college and to become essentially an artsy lefty. She has since spent some time in China, and made a short documentary about a few of her friends in the lala community here that she screened for us in Seattle. Her Internet handle is euphemistic and slightly obscene. She is short, short-haired, and totally adorable; she dresses like a boy; she has a labret and a sweet, polite voice which pronounces the Fujian accent, Ls for Rs, "len" for ren. Now she's in Beijing for the year, killing time.

I found Ana last week. It took a little finagling to find her email address because I had only contacted her through Facebook, which is still blocked in China. We had a meal of pig's feet hotpot last week - no wonder she didn't want to live in our vegetarian co-op, where tarragon-flavored stew reigns supreme - and made plans to go to a lala bar the following Friday. I invited Wu Fei to come along, but even her voracious curiosity could not overcome her obedience, and she declined by text, advising me, for S's sake, not to be taken in by the slutty temptresses of the lesbian bar. (Wu Fei has never been to a bar.)

At 8:30, I left my apartment for the hour-long subway ride to Hujialou station, where I had arranged to meet Ana. There we also waited for her friend whom she only knew as Tongyidao, which can loosely be translated as "Same Stab"; but when her friend showed up, direct, tall, and intelligent, she introduced herself as Fan Fan. Fan Fan is in graduate school for cultural anthropology, and her specialty is China's lala population. She looked at me straightaway and said that my speech inflection had a "Taiwanese flavor." I admired how fearlessly she spoke to people: at the bar, she looked bored for a minute, and announced that she was going to plumb a waiter for information about the bar's clientele; on returning, she spied a new person dressed in a scarf, glasses, and short-brimmed hat, in the style of will.i.am., walked over, extended a hand, and said, "I'm Fan Fan, and I would like to know you." I wondered again about career cause and effect: do people become outgoing as a result of the methods of anthropology research, or does the field attract people who are naturally extroverted?

In a San Francisco morning fog, we took a cab from the subway station to the bar. The bar was called Paw Paw. It was on the first floor of the 城市宾馆 in 呼家楼区, in the flashy, expensive eastern part of town where the concentration of expats is high. It is only a lala bar on Fridays and Saturdays. Special waitstaff are called in on these nights. The rest of the time it's just a regular bar.

We paid 21 RMB ($3) at the door for a fluorescent stamp on the wrist and free drinks all night. The bar was large, with long couches along the wall for group seating, and a DJ station and out-of-sync projections of recent American music videos dominating the visual space, but there were only a few dozen people inside, at least when we first got there. A waiter seated us on a couch, and then brought over a plate of watermelon cubes and a mixed plate of salty nuts and sugary peanut balls. I drank gin and tonics, because I could read and pronounce the words for "gin and tonic."

Ana's third friend was already there when we arrived. She introduced herself as "Rebecca." I learned later that her real name was a near homonym for the Chinese word for "waiter." We then quickly made plans for her to lead me through the 798 gallery district over the weekend. She withdrew this offer, in a "sorry"-filled text message, on Saturday night.

Right away Rebecca broadcast herself to me as a young Chinese person much more interested in Western popular culture (and much wealthier) than any other young Chinese person I'd met so far. There was the English name, first of all. Then she told of flying to Amsterdam to smoke weed (whereas the other people I've spoken to seem horrified at the idea of any drugs), and said that tickets were a mere 4000 RMB (about $590, not terribly much for a Beijing-Amsterdam flight, though still shockingly high for my understanding of China, where a smart, experienced graduate from the third best university in the country like Wu Fei makes 3000 RMB a month teaching English). She described her expensive trips she'd taken around North (alone, by plane) and South (with her mother, by slow boat from Peru to Antarctica to Brazil) Americas. She said she was applying to graduate programs in art history in American, and NYU was her top choice. She was dating a nice T, but she wanted to have fun and didn't want to commit to anything; this too struck me as a very non-traditional point of view.

The four of us sat around the sofa and my experience of it was very much like my experience of bars elsewhere in the world. The music was a terrible racket, and I was unable to hear or comprehend much of the conversation, so I sat still, looked alert and smiled, and alternated between reluctantly sipping my cheap beverage and shouting "What?" (although in Taiwanese-flavored Chinese) at people's faces. Several Lady Gaga songs played, followed by "4 Minutes." At this, Rebecca proclaimed three syllables very loudly in my direction. I said, "What?" She said these three syllables again. I said, "What? McDonald's?" She said, "No! MA! DON! NA!" And then she fell back on the couch, exhausted.

There were moments when we all ran out of things to say, and sat murmuring things along the lines of "Where are all the people today?" and "These nuts are the tastiest." We spent some time nervously eyeing, though not approaching, the other group of girls sitting nearby. Eventually there was some interchange. This is how I learned that they were 16 and 17 year-olds in Beijing for a high school filmmaking program.

There were moments when I participated as a non-scintillating conversational assistant, doing the unsexy work of asking where people were from, what they did, how long they had been doing it, what they planned to do, what their girlfriends were like. There were a few self-satisfied moments, too, when I felt that my language learning had progressed to the point where I could actually represent my sloppy enthusiastic personality in Chinese as well as in English. One such moment occurred when I asked about pick-up lines in Chinese. Apparently "Do you come here often?" translates, but in China one does better talking nonsense about delicious food than talking nonsense about the weather.

Around midnight, a plume of smoke from the fog machine was released to signal the start of the night's performances. There were two performers. The first was an extremely skinny campy male singer who performed his first song, a slow traditional ballad, wearing a black dress and a wig; these he cast off for his other three songs, which were upbeat, dancey songs that moved him to bounce around the DJ platform. His stage presence was fun to watch. He flirted with girls in the audience who screamed "Tuo!" ("Take it off!"). When he coyly lowered a zipper, they taunted him by screaming "你能不能脱?" ("Are you even *able* to take it off?"). It says something about how uptight I am that during this sexualized performance, my thoughts were predominated by the fight Stephanie and I had last year about the sexlessness of Chinese culture; thoughts on performance theory; and the puzzled recognition that a first tone word like 脱 could be screamed imperiously. One ends "Take it off!" with a downward inflection. Imagine shouting "Take it off!" in a high monotone!

The second performer had a strongman act that was difficult to watch, and not many people did. He seemed to have no bearing on queerness, except in the loose sense that queerness accepts what adults choose to do with their bodies. He first shattered two beer bottles with a hammer, and then lay down on the shards of glass, and invited two people to stand on his chest, compressing him further in to the glass. The audience responded with appalled, weak applause, when beckoned to do so. Then he invited a person to come up and twist a nail through his elbow skin with a pair of pliers. I left at the point when he shoved two corks attached to strings deep up his nose and attempted to haul a person sitting on a sled through just the strength of the skin on his nostrils. I shivered outside and watched Rebecca smoke a cigarette, because the performance had become unbearable.

After this, we returned to our depressions on the couch and continued our desultory discussion about things here, and things there. Rebecca noticed that Dan Dan (another member of the party, not Fan Fan) noticed a lone white girl sitting at the bar; they descended upon her and appeared to be very interested in her slow, simple, Russian-flavored Chinese. Ana and I sunk in further and talked in English amongst ourselves, and I fear I did that obnoxious thing when I talk to people slightly younger than myself with a tone of undeserved authority, on manners relating to important life choices. She seemed to take it diplomatically, and at 2:15 all of us rose to hail taxis for home.

As mine traced the northeastern bend in the fourth ring road, I called S, who was sick in New York with swine flu. She was happy to receive my call, though she didn't recognize my voice and it was hard to hear each other across seven thousand miles. The taxi took me to Wudaokou station, where I had left my bike. I biked the five minutes home blowing on alternate hands to stay warm. It was so late in the evening, and the only people on the pedestrian paths were plastered girls and boys leaning into each other, looking at their phones. The gates of my university were closed, so I parked my bike outside them and walked down two dark paths, past the tennis courts, past the posters advertising rooms to let, on my way back to my warm little room here in the frigid foreign north of China.